- Parmigianino's 1534-40 painting exemplifying Mannerism with elongated features.
- Vasari's self-portrait as ________ in a devotional subject.
- Camillo Procaccini's 1584 painting in Pinacoteca Nazionale, Bologna, features intense chiaroscuro and ostentatious gestures.
- Artwork by Andrea del Sarto, illustrating High Renaissance characteristics.
- First formal art academy in Florence, founded by Vasari, Bronzino, and others
- Raphael's altarpiece showing a shift towards Mannerist style with exaggerated gestures.
- Painter and pupil of Bronzino, Alessandro Allori's 1570-72 work in Palazzo Vecchio epitomizes late Mannerism in Florence.
- Federico Zuccaro's 1582 work in Doge's Palace, Venice, showcases dramatic scale changes akin to Tintoretto.
- Cosimo de' Medici, Duke of Florence, elevated to Grand Duke of Tuscany in 1569, a sovereign below royalty.
- Michelangelo's 1536-41 painting contrasting in mood and style from the Sistine Chapel ceiling.
- High Renaissance artist whose late works inspired Mannerist art with contorted poses
- Astronomer whose theory challenged the geocentric view of the universe
- Italian for 'style' or 'stylishness', used by Giorgio Vasari to describe sophisticated art
- Artistic style between High Renaissance and Baroque, featuring elongated figures and unnatural colors
- Subject of Bronzino's court portrait, known for elegance and hidden symbolism
- Italian artist and writer who coined the term 'maniera' to describe contemporary art
- Henry IV Receiving the Portrait of Marie de' Medici details
- Landscape with Saint John on Patmos details
- Judith Leyster, Self-Portrait details
- Bernini, David (1620), Patron: Cardinal Borghese♥intended to be placed next to a wall but was removed♥represents the combat itself♥Baroque sculptors aimed to capture the split second of maximum action♥Bernini sought to make marble flexible♥Expansive and theatrical♥Time plays an important role♥David seems to be moving through space and time