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une augmentation du 2,3-DPG déplace la courbe de dissociation vers...
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- -Christ in center up high with mandola around him -blessed on Christ's right and damned on Christ's left : not much of a distinction between the two-trumpeting angels in center directly under Christ -> don't have wings or halos like usual depictions -> Michelangelo thought the beauty of the human form was the perfect example of God's creation and didn't want to change it -Mary shown on Christ's right- Saints/recognizable figures in Christianity shown on right-earthly realm -> dead shown rising from the grave-on Christ's left -> damned figures shown close to the realm of heaven with angels guarding heaven beating the demons down/away-at the bottom directly behind where the altar in the chapel is -> Hell is shown = the mouth or entry to Hell- at bottom of Christ's left = ferryman (Charon) of the underworld rowing the damned across river -> hitting them with oar and forcing the damned souls out of the boat to be judged ; shows psychological torture of being in Hell = fear of situation-shows Minos in Hell = the judge in Hell -> shown with donkey ears = he's an ass -Michelangelo includes himself in the heavenly realm but in weird way -> just below Christ, Saint Bart is shown (he was flayed/skinned alive) holding a knife in one hand and full body skin in other -> this is not Saint Bart's skin, it is Michelangelo's portrait in skin form = shows that Michelangelo is hopeful but not certain that he will end up amongst the blessed when he dies
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- But "our judgment is not so strong we do not distinguish so well." Yet it may be questioned, from what doth this superiority, in this determining faculty of the soul, proceed. May we not trace its source in the difference of education, and continued advantages? Will it be said that the judgment of a male of two years old, is more sage than that of a females of the same age? I believe the reverse is generally observed to be true. But from that period what partiality! how is the one exalted and th